Tag: studio
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Old stuff: more costumes
[Edit: I found this March 2014 post from about older work languishing in my drafts folder. I am no longer working with such crowded compositions, nor on 11 x 14″ papers. I only post this now in the interest of completion within this research blog. More carefully edited thoughts on the matter appear in this […]
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Incorporating criticism
I mentioned some of the feedback I received from the first critique of term in this post. The task during the week following was to use those suggestions and criticisms. I experimented with and modified work from the spring critique in five different ways. The more I thought about the spring crit, the more I […]
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Proof of concept?
I’m starting something new… My plans owe a grateful nod to work by Jaclyn Seufert and Beth Scher. …oh, and maybe Sandro Botticelli as well.
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Origins cube
I finally finished the large Yoshimoto cube. Consider it homage to the link between the infinite and the infinitesimal (admittedly far less structured than “Powers of Ten” by Ray and Charles Eames). These reversible cubes perfectly suit my fascination with twinning and/or paradigms. The doppelganger this time is contrasting references to science and the first […]
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luggage vs. WOODEN FRAMES
One of this semester’s experiments was to create two different types of frames for the same polyptych. One is an altered piece of secondhand luggage that opens up to expose a triptych. The other is closer to the hinged polyptychs I’ve been making for the past year. Today I’ll present the paintings in their wooden […]
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Yoshimoto cubes, part 3
My previous art cubes used appropriation to present opposing two-dimensional views of womanhood in religious art history. This time that same self-transformation has a much larger scale. (Each of the black component pieces is an eight inch cube.) I thought I was finished creating art about the whole Creation vs. Evolution argument last fall, but […]
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Studio walkthrough
University of the Arts, Philadelphia Spring critique (June 2013) (warning: shaky horribleness)
Colleen Wampole 