Tag: interactive art
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Fore-edge painting
This is the sketchbook in which I try to draw world maps (without looking at references). The results are pretty humbling, so I looked at a map for the painting. I almost have this process figured out. The painting is enjoyable, but gilding the edges is still giving me grief. Fore-edge decoration (by other people…
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Incorporating criticism
I mentioned some of the feedback I received from the first critique of term in this post. The task during the week following was to use those suggestions and criticisms. I experimented with and modified work from the spring critique in five different ways. The more I thought about the spring crit, the more I…
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Play and fantasy
[ The first two parts of this essay can be found here and here. Some images and detailed description of this final section have been omitted pending permission from the individual to whom it refers. ] Collection #2 “To my way of thinking, knowing an object does not mean copying it–it means acting upon it.…
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Highlighting women as creators (via paper dolls)
My recent paintings experiment with and assess the personal impact of the artistic canon. In superimposing the art historical canon over my own paper doppelgänger, I engage in a form of portraiture similar to what Svetlana Alpers refers to in The Art of Describing as the “historiating portrait” (14). Such figures “are distinguished by looking…
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Proof of concept?
I’m starting something new… My plans owe a grateful nod to work by Jaclyn Seufert and Beth Scher. …oh, and maybe Sandro Botticelli as well.
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Four months of work
Correspondence art: and a scrap/accordion book to document it 1) Proust’s madeleines 2) Honkers 3) pictures of the pink/purple seal (designed with feedback from mail art #1) 4) bees 5) luggage tags 6) a book to document the project Opiate of the Masses the triptych about seductive things (with a…
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Yoshimoto cubes, part 2
What visual and Biblical archetypes does art history (aka art by European or American men in the last 2,000 years) provide for women? Sadly, the most popular archetypes are the passive “good” girl or the deadly vamp. I now realize that Salome paintings interest me as the darker side of what I studied in all…
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Yoshimoto cubes part 1
The component pieces look like nothing more than croutons. When hinged together, each cluster of similarly sized wood cubes looks like this. I’m trying to decide which size is best. I thought the novelty of the smallest cubes would be preferable, but the two largest sizes are more satisfying for adult hands to hold.
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Coming clean, part 1
A significant part of my studio work this summer took the form of a light-hearted prank. I wanted a puckish rather than stinging tone, which took a lot of planning since I rarely allow myself the liberty of pranking. Doing so this summer was part of a desire to set up more interactive and collaborative…
Colleen Wampole 