Tag: yoshimoto cube
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Four months of work
Correspondence art: and a scrap/accordion book to document it 1) Proust’s madeleines 2) Honkers 3) pictures of the pink/purple seal (designed with feedback from mail art #1) 4) bees 5) luggage tags 6) a book to document the project Opiate of the Masses the triptych about seductive things (with a […]
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Origins cube
I finally finished the large Yoshimoto cube. Consider it homage to the link between the infinite and the infinitesimal (admittedly far less structured than “Powers of Ten” by Ray and Charles Eames). These reversible cubes perfectly suit my fascination with twinning and/or paradigms. The doppelganger this time is contrasting references to science and the first […]
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Yoshimoto cubes, part 3
My previous art cubes used appropriation to present opposing two-dimensional views of womanhood in religious art history. This time that same self-transformation has a much larger scale. (Each of the black component pieces is an eight inch cube.) I thought I was finished creating art about the whole Creation vs. Evolution argument last fall, but […]
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Yoshimoto cubes, part 2
What visual and Biblical archetypes does art history (aka art by European or American men in the last 2,000 years) provide for women? Sadly, the most popular archetypes are the passive “good” girl or the deadly vamp. I now realize that Salome paintings interest me as the darker side of what I studied in all […]
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Yoshimoto cubes part 1
The component pieces look like nothing more than croutons. When hinged together, each cluster of similarly sized wood cubes looks like this. I’m trying to decide which size is best. I thought the novelty of the smallest cubes would be preferable, but the two largest sizes are more satisfying for adult hands to hold.
Colleen Wampole 